Tuesday
Oct182011

Farmall fixation

1940s Farmall tractor, 11 9/16 x 8 1/4, 9B graphite and watercolor pencils. 

I'm obsessed with this old piece of farm equipment. Aside from the powerful memories of growing up around tractors just like this one, it is a beautiful exercise in efficiency. An engine and power transmission on a cast iron frame, with a pair of enormous drive wheels and a much smaller set of front tires functioning as a unit, to steer the tractor. There are sheet metal cowlings only where they are absolutely necessary, and every part is shaved down to its barest essence. Yet it is nonetheless a graceful form, however unselfconsciously its beauty emerged mostly from function. The slots in the radiator grille, the teardrop shape of the gas tank merging with the engine cowling, the springing curve of the steering wheel spokes and those gorgeous wheels and hubs.

I loved drawing it a second time, and I'm glad that I didn't fuss over the details. It would have lost the spartan purity and simplicity that the machine is all about.

Wednesday
Oct122011

Boyhood memories

I grew up in a farming community just south of Syracuse, NY. My father and I had a good sized flock of Karakul sheep from the time I was 10 years old until I was a senior in high school. When I got old enough to drive our 1949 Farmall tractor, it was my job in the fall to clean all the previous manure and soiled hay off the ground floor of the barn where the sheep lived during the winter. Every day that it wasn't raining after school, I'd get off the bus, have a snack, change into barn clothes and load the manure spreader using a pitchfork and shovel, then take the full loads out into the pasture to spread as fertilizer. My route went under a big old apple tree that yielded some of the best tasting apples I've ever had, and I'd stand up on the tractor's deck as I passed beneath it to pluck one and have a few bites as I continued out to the field in the cool autumn afternoon air. I'd stand up again to throw the core out as far as I could. Even as a teenaged boy, I appreciated that this was a wonderful element of my upbringing, and that I was privileged to experience it. Honestly, I looked forward to the annual barn cleaning, which took from the start of school until late October to complete. I liked it far better than being a spectator at one of my high school's soccer games.

Yesterday morning, I drove the 40 miles to the cabinet manufacturer who is my full time consulting client in New Holland, Pennsylvania. The sun had just risen, and a light fog was rising up from the mostly harvested fields on the small family farms of eastern Lancaster county. I passed a tractor pulling an old manure spreader, and felt a pang of nostalgia for my teenage fall ritual. Then, turning in to the driveway to Premier's shop, I noticed this old Farmall tractor sitting in front of an equipment rental place. It was about the same age as our old tractor at home. It was nearly time for me to get to work, but I parked my car and took a little time to sketch this piece of history, and to spend a few more minutes in the cool morning air, remembering a precious bit of my youth.

Farmall tractor, New Holland, PA, 11 9/16 x 8 1/4, 9B graphite and watercolor pencils

Monday
Oct102011

Lame excuse

Last Thursday evening I loaded my car and drove down to Richmond, Virginia for the 27th Annual CORPS Expo and Celebration, which is the biggest pipe show of the year in the US, next to the mammoth Chicago show in the spring. I took a supply of the Illustrated Pipe 2012 calendars and 2012 Chicagoland Pipe Show collector's edition posters hot off the press, along with a few framed original drawings and photographic examples of furniture pertinent to pipe collectors. From Friday afternoon until Sunday night, I spent more time talking with people than I normally do in an entire month. Got myself lost in Baltimore on the way home and finally rolled in just after 2:00AM. All of this is really just a lame attempt to build a lame excuse for putting up a lame post instead of the intense, insightful, blah blah that you no doubt were hoping to find here. But don't give up! Look at the pictures, and I'll try again in a day or two.

Two pipes from Michael Lindner's case, the night before the show.

High grade pipe dealer Bobby Nesbitt smoking a Lars Ivarrson.

My table on the show floor.

Tuesday
Oct042011

Michail Revyagin on loan

Neill Roan was in Lancaster county on a business trip last week and stayed out here in quiet Marietta with us in our pile of brick and stone by the Susquehanna. Before he left on Friday morning, I prevailed on him to hand over one of his pipes, promising that I'd do a drawing or two and return the pipe to him on his next visit. He pulled this one, out of his bag and handed it to me, a big, bold chunk of sculpted briar, ivory, and vulcanite. I've done several drawings of it and believe it or not, I have NOT fallen to the sore temptation to load it up with my best vintage tobacco and pretend that it's mine. But the thought has danced with evil glee in my mind.

Rather than to humiliate myself by stumbling around with words trying to describe this grotesque, beautiful object of functional art, I'll refer you to Neill's article, just posted this afternoon, about this fascinating and gifted artist from Russia: http://www.apassionforpipes.com/neills-blog/2011/10/4/michail-revyagins-transfigurations.html  A drawing done on Sunday afternoon appears with the article. Here's what I did after reading it this evening, left with a deeper appreciation of Revyagin's work. One of these days, probably after I finish limping my way through helping my children get their college degrees, I'll own one of Misha's extraordinary pipes myself.

Michail Revyagin Troll Bulldog, 11 9/16 x 8 1/4, 9B graphite and watercolor pencils

Saturday
Oct012011

Thoughts on Art for Guys

Art is about meaning. The best art, the images that we find most moving, to quote a good friend who has spent his life doing art and promoting it, reminds each of us who we really are. Some discover that experience in hushed museum exhibitions, others in visits to galleries. Relatively few of us seek out and feel we can afford to buy original art to put in our own homes. We are conditioned by high prices and elitist attitudes to believe that we can’t, shouldn’t, or don’t want to own it. All too often, men whose lives could be enriched by art are turned off by academic snobbery or the exclusionary environments in which art is shown and sold. I count myself among that group, except that my house is filled with it.

I am an artist. I’ve avoided that label for many years because I allowed myself to believe that I had nothing of value to say that would legitimize thinking of myself as an artist. I believed that it was presumptuous and that I was unworthy of the title. And I didn’t want to be an effete, pretentious, esoteric bullshitter. But what I’ve slowly come to realize is that what I see and feel, and the way that I express it when I pick up pencils, pastels, or anything that I can make a mark with, is all about my own struggle to recapture the passion, pain, violence, tenderness, and joy of being a man. I don’t really think about it; that’s just simply what it is.

 

Over and over again, I’m attracted, for lack of a better way to put it, to what I call guy stuff. Not shiny, expensive boy toys in magazine layouts, or to the activities and trappings of highly paid professional athletes. I’m captivated by beat up old cars and work trucks. Weather ravaged farm buildings and soot stained factories. Greasy old engines partly disassembled, or abandoned machinery rusting away in forgotten corners of fields gone fallow. A favorite pipe casually set down half smoked, on a scarred tabletop next to a partly consumed bottle of beer. A pair of dirty gloves or a sweat stained hat at the end of a hard day of work. Things that, to me, represent real life and not some carefully arranged fantasy scene, self consciously manipulated to make a pretty picture. Life the way I find it and feel it, in all of its immediacy, with nothing filtered out, and with nothing glorified.

Art for Guys is our way of sharing these things with men who might not normally buy art, or think that they want anything to do with it. Our first production, a collection of tobacco smoking pipes drawn in everyday settings in a variety of moods and designed into a wall calendar, came out of our desire to add this dimension to the pipe enthusiast and collector community, and to make it available at an affordable price in a high quality piece of functional art. Next weekend, I'll travel to the Conclave of Richmond Pipe Smokers annual exhibition in Virginia to offer it to the show's attendees. It will also be available through this website. We hope that it, and the images it contains, in some way help remind you of who you are and what you value about the experience of being a man, whether you smoke pipes or not.

 A Mikhail Revyagin pipe from the collection of Neill Archer Roan, 9B graphite and watercolor pencils